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This time around, the directors contributing shorts on a human rights issue of their choosing were Park Kyung-hee (A Smile), Ryoo Seung-wan (Die Bad, Arahan), Jung Ji-woo (Happy End), Jang Jin (Someone Special, The Big Scene), and Kim Dong-won (Sanggye-dong Olympics, Repatriation).

A number of films shot in a more commercial vein, such as gangster movie A Dirty Carnival, debut film Like a Virgin, drama Family Ties and even the crazy low-budget comedy My Scary Girl earned high praise as well.Through the swatches of her life we see her isolation from her peers and her single mother's (Seo Ju-hee of Flower Island) struggle to make up for the evil that kids do.Eun-hye's closest friend is an elderly woman who lives too far away to see every day.Made while he was still working on his essay on masculinity that was Crying Fist, Ryoo provides an added treat with a surprise cameo by someone from the previous series, making me wonder if this is also going to be a regular aspect of the future omnibuses.(I don't know about you, but I like the sound of the word "omnibuses.") My favorite of the shorts was Jung Ji-woo's, "A Boy With The Knapsack", a sparingly dialogued, black and white study of the lives of North Korean (illegal) refugees in South Korea.